Work in Progress: Cast Zinc Mantle, Floating Table

Posted 7.23.09 in New Work« Previous |

Chris

In between some of the larger projects we have scheduled, we’ve been working on a series of accent pieces for the Southern show house we plan on opening in Beaufort, SC, later in the year. This week’s projects included an ornate cast zinc mantle and a floating table with a tin top.

The mantle was cast from an antique carved hardwood mantle in zinc with a dark patina and minimal polishing.

Cast zinc mantle

Nothin too unusual about the rosette and acanthus scrollwork elements, you see similar designs in production today by a few high-end architectural woodwork firms today. But the patinated zinc gives them a whole new look thats simultaneously much older, more substantial, and brighter:

Corner detail of mantle

A companion piece for the same room is this “floating table” with zinc-coated forged steel legs and a top shelf in cast tin. One of our first experiments in casting tin, this is a very attractive look for surfaces which will not be getting heavy use. Solid tin, a much softer metal than zinc or alloys such as pewter or bronze, has an subtle gold glow to it, and a surprisingly soft and tactile feel. The forged steel scrollwork legs of the table bolt to the wall, giving the shelf its floating appearance.

Tin floating table

Cast tin slip-cast by hand on forged steel legs

One more piece we’ve been working on, a card table in very rough zinc with a brown patina and bronze fleur-de-lis ornaments in the corners:

Zinc and bronze card table

We will be posting updates about this showhouse. Located just outside of Savannah, GA, we will be furnishing this house entirely in our custom metal offerings.

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2 Responses to “Work in Progress: Cast Zinc Mantle, Floating Table”

  1. Dave Says:

    How did you cast the mantle? It looks too intricate for sand casting?

    Beautiful!

    Dave D

  2. Nathaniel Says:

    Its slip-casting, essentially the same process we use on our countertops.

    Using a positive mold (in this case, the antique hardwood mantle itself), as opposed to the negative space used in sand-casting, we’re applying repeated paper-thin coats of vaporized metal until a thick enough coat is built up to polish back. The trick comes in applying thin enough coats of zinc that it can harden without burning the mold underneath. Works best with metals such as pewter, which have a very low melting point, although we can successfully cast alloys with a much higher melting point using the same technique.

    Thanks for the compliments! Nice stuff on your e-zine by the way, I just signed up…

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